Jingle Bal Classes

What you should know about: Building Balanced Classes

Your registration forms will help us to build more balanced classes. So before you register, please read the details about the different tracks below. Take a moment in your assessment of your capability.  If you know the basic footwork but you cannot socially lead a come-around, registering for Track Two may lead to a frustrating day (for you, and maybe your classmates as well!).

What you should know about: Class Tracks

TRACK ONE:
If you have never danced balboa in your life, if you want to learn a new role, or if you know the steps but you want to brush up on your core concepts, this track is for you.  In order to get you up and dancing on the social floor Saturday Night, the instructors will cover fundamental aspects including: The basic footwork (uphold and downhold), The connection (posture and positioning), The come-around, and the toss-out.

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If this is your first dance workshop, the instructors do a quick recap at the end of the lesson, which they generally let the students film for their own review and practice purposes.  Please don’t film during the class, that is bad etiquette and makes instructors uncomfortable.

TRACK TWO:
You’ve taken some classes, and you’ve been known to get your shuffle on at social dances. You are looking to broaden your balboa horizons; you’re hungry for some moves! 

* Dancers taking this class should be proficient in the uphold and downhold basics, come-arounds, toss-outs, and lollies.

TRACK THREE:
You’re ready for something more intensive.  You’ve got a solid repertoire of moves, and you’d like to learn more about flow and more musical movements.  

* Dancers taking this class should be proficient in the uphold and downhold basics, come-arounds, toss-outs, lollies, out-and-ins, crossovers, scoots and paddles, swivels, crabwalks, and Texas Tommies.

What you should know about: Private Lessons
Private Lessons are your opportunity to get more individualized instruction, and more in-depth feedback. Especially beneficial if you are a proficient dancer with specific goals, but also beneficial if you are trying to nail down trouble with your own balance or timing. We will again be providing space for instructors to hold one-hour slots for private lessons. These timeslots are not included in the workshop pass, and are payable directly to the instructors after your lesson. They are available first come, first serve.

What you should know about: Dance Roles  
The swing dancing community supports dancers choosing a non-traditional role for him or herself. Gaining an understanding of both roles is beneficial not only for those who wish to teach.  Followers learning to lead adopt a new skill set and also become better followers through their enhanced perspectives. The same is true for leaders. A dancer capable of both roles (someone who is “ambi-dancerous”) not only has a more fully formed concept of the dance as a whole, they also need never sit out at a dance, regardless of whether there are more leads than follows, or more follows than leads.  The function and techniques learned for either role might be appealing to any dancer on their own merits, with no reference to any of these other points.

A Jazz Age swing dancer was one of two things.  A leader: a boy.  A follower: a girl.  The role of the leader was to initiate the execution of moves or movements or figures with their partner, and also do fun and fancy things himself.  The role of the follower was to receive and interpret the signals to execute various moves or movements or figures with their partner, and also do fun and fancy things herself.  These are what is referred to as “traditional roles.”

* All we ask at Jingle Bal is that you register for the role you intend to dance during the classes (for class balancing).

More Coming Soon

Registration for Jingle Bal * 2018 opens September 1st.
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JINGLE BAL * 2018
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